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The Baltimore Rowhouse

This week, I finished The Baltimore Rowhouseby Mary Ellen Hayward and Charles Belfoure, which traces the development of the rowhouse from its English origins on up through the present day. Many cities have certain architectural types -- New York is a city of apartments, Chicago a city of three-flats, and Los Angeles a city of bungalows -- but the rowhouse, more than any other typology, has come to define the architectural, social, and economic fabric of Baltimore. 

Rowhouse construction began in earnest in Baltimore in the 1820s. Narrow (12-14' wide) homes were packed into tight blocks in what is now downtown, the Inner Harbor, and Fells Point. Two concepts from England -- connected superblocks of housing with shared party walls and the idea of "ground rent" instead of land ownership -- spurred development. Ground rent allowed someone to own a house, but not the land it sat on, instead renting the land from a landlord into perpetuity. Ground rents, in turn, could be packaged, sold, and traded amongst landowners, a kind of early derivative investment. Much like mobile homes today, removing the cost of the land from the purchase price made houses much cheaper upfront. Built on a speculative basis, most of the houses sold to people of limited means -- sailors, shipbuilders, shopkeepers, and carpenters. Efficient use of land kept the city from expanding beyond a walkable radius, key in an era before public transportation or widespread private vehicle ownership.

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Farm Hackin'

In 1968, Stanford biologist Paul Ehrlich took a detour from his usual research subject -- butterflies -- and wrote a book called The Population Bomb. As with many alarmist books, it was a bestseller, and quickly landed its previously obscure author on The Tonight Show. Ehrlich argued that the world was headed into a state of perilous scarcity, where an exploding population would overtax the planet's ability to produce fresh food and water. This led to a bet with economist Julian Simon, who posited that human's ability to innovate would always outsmart obstacles to growth. Like Malthusians before and since, Ehrlich was proven wrong, and paid up in the late nineties, despite a doubling of Earth's population in the meantime.

Scarcity is still a popular topic amongst both the libertarian, gold-bugging right and the organic, kombucha-brewing left. And it makes basic sense, right? American farmers, once the vast majority of the population, are at only 2% of the workforce now. Very few of us are directly involved in growing food. Less and less of our land is devoted to agriculture. And the land that is out there seems to be giving out, worn down by a century or more of highly productive monoculture. It seems only logical that the oil, the gas, and the infrastructure will give out one day, disrupted by plant diseases, climate change, water scarcities, and unsustainable demand. 

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Adhocism

After a protracted struggle with dense, recursive text, this weekend I finally made it all the way through Adhocism: The Case for Improvisation by Charles Jencks and Nathan Silver. First published in 1972, it is a manifesto for readymakers, arguing that everyone is a designer and all the world is a mash-up of disparate elements. In some ways it is very of its time -- swept up in the hippie-futurism of Buckminster FullerDrop CityStewart Brand, and Archigram -- but in other ways it is remarkably prescient, fully predicting the internet and the resurgence in maker culture that we are seeing today. 

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Zip-Tie Joinery II

Two months ago, I began researching zip-tie joinery, looking up a half-dozen furniture and architecture projects that used zip-ties as the primary fastener. Three dominant structural systems emerged from that research: pure zip-tie, panel-on-frame, and panel-on-panel. A few days after that post, I began a series of experiments with models, made from dumpster-ed cardboard. 

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Buy Nothing Day

Last week America feasted, reenacting a foundational myth of the Republic -- that benevolent "Indians" saved innocent "Pilgrims" from certain starvation, celebrating a nascent friendship that would last, well, until everyone got smallpox and died. The reality, as we now know, is a bit more complicated. America's traditional day of gustatory gluttony is followed by Black Friday, 24 hours of unrestrained consumerist capitalism. We've all seen and heard the stories -- folks camping out for weeks to be the first in line for deals, fights over the last flatscreen TVs, store employees trampled to death. 

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DIY TV

As a kid, I was often up first on Saturday mornings. I tended to wake up early naturally, a trait that has served me well later in life (though I don't bounce up quite as clear-eyed as I used to . . .) Being up first had a lot of advantages in a household of six -- free of supervision or sibling interference, I could put sugar on my cereal, and I could get in front of the TV without being bothered. We didn't have cable growing up, and I never much cared for cartoons, so I tuned to PBS and got my DIY on.

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Pole Houses

This weekend, I helped my brother construct a deck on the back of his house. We got the foundations dug, inspected, and permitted, then spent two days pouring concrete and framing. I became intimately reacquainted with muscles that have lain fallow for quite some time . . . The deck will hover about 12' off the ground, with an entrance off of the kitchen and a winding staircase to the driveway. It overlooks a sloped yard, so the platform is eye-level with the leaves, floating in the trees. 

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Belgian Solutions

David Helbich, an artist and photographer, has been living in Brussels, Belgium for the last eleven years. Brussels is the capital of the European Union, a complex patchwork of nations, languages, and ancient neighborhoods. The citizens are fragmented along various cultural lines, but co-exist in a city-state of blasé bonhomie. Helbich, a native German, began going on long walks to learn the geography of his new home. Eventually, he started taking his camera to document wrinkles in the urban fabric that he dubbed Belgian solutions 

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Terror, Designed

Semantically, politics and war seem to track one another. They share the word campaign and the generic lexicon of fighting, filtering down through thousands of associated words thumbed up from the thesaurus. Now and again, design language  seeps in around the edges, as in the architect of a strategy . 

Design (n.) 

  1. a plan or drawing produced to show the look and function or workings of a building, garment, or other object before it is built or made.
  2. purpose, planning, or intention that exists or is thought to exist behind an action, fact, or material object.

A Preliminary Atlas of the Killing Fields , by Tim Maly, refers to the second definition. He traces, through satellite photos, the planning and intention that exists behind the action (strike) of a material object (drone). He drew on the incident reporting of Dronestagram  and other publicly reported sources. The strike itself was designed by a protocol that differentiates between targeted strikes on known enemies and signature strikes, which target groups of men by analyzing their patterns of movement. 

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Knock-Down Shelves 2.0

A little over a year ago, I posted about a new apartment, and the pieces I had made to populate it. In the intervening 12 months, a lot has happened, and I am in a another new apartment, in a new/old city. 

Much of my furniture collection survived the move, modified as it may be. The desk we shared, made in Alabama from an old door with inset aluminum panels, was cut down a little on both ends to fit into a tight new space. The kitchen work table, an ancillary counter for the last apartment in Chicago, was chopped from standing height to sitting.

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William HolmanComment
Autoprogettazione?

Enzo Mari is legend amongst furniture designers -- a cranky old radical, chewing over cigars and long Italian syllables as he lacerates the current state of design. Now 85, according to the Wikipedias, he is still best known for his 1974 book Autoprogettazione ?, a DIY instruction manual detailing 19 simple pieces of furniture. Setting out harsh constraints for himself, Mari used only common dimensional lumber fastened with nails, avoiding cuts, joinery, and finishes. The results are severe in form, stripped to an irreducible degree (much like the zip-tie). Pre-internet, Mari then released the designs as a simple, (initially free) book instead of as actual products, in the hope that folks would learn about carpentry, design, and the expression of quality through the process of building. 

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Station North Tool Library

A few weeks ago, through work, I was introduced to Piper Watson and John Shea, two local artists who live in the Greenmount West neighborhood. In the summer of 2012, they took a 10,000-mile motorcycle trip across America, visiting tool libraries. Though not a new concept, tool libraries have been catching on -- Wikipedia lists 47 in the U.S., and dozens in other countries. 

Research complete, they put together some grant money and opened the Station North Tool Library this past April. They took a first-floor space in Area 405, a bustling studio space and gallery at 405 East Oliver Street, right around the corner from the new Design High School and up the street from the City Arts building. Their operation has been growing steadily ever since, with over two hundred members and a swelling collection of tools. Most have been donated by members; others come from estate sales or educational organizations. Once cleaned up, repaired, and put on the floor, they are available to members for check-out one week at a time.

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Zip-Tie Joinery

Henry Petroski is a professor of engineering at Duke University, and the author of a great many books. One of those books, The Evolution of Useful Thingsexamines the history of paperclips, zippers, Big Mac packaging, and other small artifacts of modern life. Each case study presents a similar story: small need-based inventions, patiently iterated, have been refined down to a perfect, simple form. The paperclip, for instance, was the end point of innovations in wire manufacture, steel milling, and the inadequacies of straight pins. 

In 1958, Mauras Logan was working at Thomas and Betts, an electrical-products company. Manufacturing bombers for the air force, workers knotted together bundles of loose wires with waxed nylon cord. It was inefficient and sometimes crippling to worker's hands. In response, Logan invented the cable tie: a grooved metal strap, fed through a small, stamped-metal pawl, created an instant, irreversible knot. Fifty years later, the zip-tie has progressed according to Petroski's Law, evolving into a spare nylon machine. The design of zip-ties has been solved to an irreducible degree. 

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Tractor Stools

This summer, on our road trip out west, the lady and I were on the lookout for old cast-iron implement seats. The classic, butt-cupping shells were first used on horse-drawn equipment in the 1850's. Prior to that, most farm implements were walk-behind. The term tractor seat came into use as farms were mechanized in the early 20th century, but serious collectors insist the proper name is farm implement seat, as unwieldy as that might be. For ease of use, I will refer to them as simple tractor seats throughout this post. 

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Wall Hunters

This past week, City Paper published a front-page article, Urban Artillery , profiling the Wall Hunters, a group of activists and artists who use wheat-paste posters to shame slumlords into cleaning up derelict properties in Baltimore. Both Wall Hunters and Baltimore Slumlord Watch have been getting a lot of press lately, even cropping up in the Baltimore Sun. Press is just what they're after, and they are bringing a lot of ruckus to an already raucous conversation about vacant housing in the city. 

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Jones Falls

I have lived in Baltimore for one out of the last ten years, plus a few month's worth of summer breaks. In the course of reacquainting myself with the city, I have taken to walking, an old habit that soothes my mind and settles my bones. My first effort was a transect, cutting down Falls Road and back, an easy loop of about 2-1/4 miles. This walk mirrored, and at times veered into, the Jones Falls, a historic waterway that reveals much about Baltimore's past, its present, and provides a startling vision of one possible future.

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Guerilla Road Trip Pt. 2

After the mysteries of West Texas, me and the lady packed the 'rolla tight and wound our way through New Mexico and onto my former home, Arcosanti. I had an overpowering sense of deja vu descending from Flagstaff and seeing the Arco skyline from the highway: the overturned boat hull of the Vaults, the white roofs of the East Crescent, all studded with tall cypress and gnarled olive trees. 

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Guerilla Road Trip, Part 1

Object Guerilla has been dark for a few weeks because I've been on the road. The lady and I undertook a twenty-day, 5,500 mile trip across the American West, visiting national parks, scenic wonders, artistic oddities, and architectural phenomena.  It was a guerilla trip, light and cheap. We spent very little, mostly on gas and food, couch-surfing, tent-camping, and AirBnB-ing to save cash. Upon our return to Chicago, we packed up and moved to Baltimore to pursue some new adventures in design and life.   

On July 6th, we struck out bright and early for St. Louis, arriving in mid-afternoon, time enough to see the Arch and downtown before supper. After the touristy bits were dispensed with, we met up with my ReBuild colleagues Dayna Kriz and Rae Chardonnay at Blair House in Hyde Park.

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Object Guerilla: The Book

Sunday, June 30th, I printed, wrapped, and FedEx-ed the first draft of my first book to my editor. I can't release all the details just yet, but it will have Guerilla  somewhere in the title and will come out a little over a year from now. It aspires to be a field guide to building furniture out of scavenged materials, illustrated with 35 case studies of my own projects. Many of these projects have never been published before, while some are more detailed, better-documented versions of my most popular Instructables. 

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Breakdown Table

Before moving up to Chicago, in the spring of 2011, I put together a small breakfast table. The legs were mortised into the top (a move I used to better effect a year later)  and removable, making for a simple, lightweight, knock-flat table. Each leg was a simple, tapered 2x4, run through with a dowel that reinforced the mortise. At about 30" square, it fit perfectly into our little studio apartment, under the kitchen window.

 After nearly two years of faithful service, however, the Breakdown Table is showing some signs of wear. The top, an old laminate desk that I spray-painted primary yellow, is peeling, and the black rubber rim around the perimeter brings an institutional flavor to our meals. My lateral-stability scheme, based on drywall screws through the dowel "ears" at the top of each leg, is also failing The top has a particle board core, which has gradually lost its grip on the screws in each leg.

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